FREE ESSAY ON CHOPIN MUSIC BIO

CHOPIN MUSIC BIO

Dayne Ventura
Music Appreciation MU 200
Frederic Fran?ois Chopin
Portrait of Chopin 
by Eugene Delacroix (1838) 
In this bibliography, I will discuss Chopin, his life span and nationality, and the
historical period of his performance. I will address his types of major works and titles
and discuss his major contributions to music. Additionally, I will touch upon his early
works, his dedications and his teachings.
Frederic Fran?ois Chopin, (1810-1849), Polish composer and pianist of the romantic era,
regarded by some as the greatest of all composers of music for the piano. Born Fryderyk
Chopin in Zelazowa Wola, near Warsaw. His father was French and his mother was Polish. He
preferred to use the French name Frederic. He began to study the piano at the age of
four, and he played at a private concert in Warsaw when he was eight years old. Later he
studied harmony and counterpoint at the Warsaw Conservatory. Chopin was also advanced as
a composer: His first published composition is dated 1817. He gave his first concerts as
a piano virtuoso in 1829 in Vienna, where he lived for the next two years. After 1831,
except for brief absences, Chopin lived in Paris, where he became noted as a pianist,
teacher, and composer. He formed an intimate relationship in 1837 with French writer
George Sand. In 1838 Chopin began to suffer from tuberculosis and Sand nursed him in
Mallorca, in the Balearic Islands, and in France until continued differences between the
two resulted in an estrangement in 1847. Thereafter his musical activity was limited to
giving several concerts in 1848 in France, Scotland, and England. 
The 1830s have been called the decade of the piano because the piano and the music
written for it played a dominant role in European musical culture. As the Industrial
Revolution hit, piano manufacturers developed methods for building many more pianos at
lower cost. Pianos ceased to be the exclusively for the wealthy. Middle class could also
own them and make music at home. Thousands of amateur pianists began to take lessons, buy
printed music, and attend concerts. 
Chopin's piano playing was highly regarded by other virtuosos and was in great demand
from professional and amateur musicians alike. Unlike the other composer-pianists of his
time, Chopin rarely gave public concerts; his performing was generally confined to the
homes of wealthy aristocrats and businessmen. Public awareness of Chopin's music came
about primarily through its publication, and the process of putting his works into print.
However, this was not simply a matter of converting his manuscripts into printed form.
Chopin felt that many performance details, such as phrasing, dynamics, pedaling, and
articulation, were not fixed elements of his music, even though they have a substantial
impact on the way it sounds. He was inconsistent about including performing instructions
in his manuscripts, and when publishers asked him to supply them at the proof stage, he
often changed his mind several times. 
Nearly all of Chopin's compositions were for piano. Although a refugee, he was deeply
loyal to his war-torn homeland, his mazurkas reflect the rhythms and melodic traits of
Polish folk music, and his polonaises contain a heroic spirit. Italian opera composer
Vincenzo Bellini also influenced his melodies. His ballads, scherzos, and etudes
exemplify his large-scale works for solo piano. His music, which is romantic and lyrical
in nature, is characterized by great originality of melody, refined and often adventurous
harmony, subtle rhythm, and poetic beauty. Chopin greatly influenced other composers,
such as the Hungarian pianist and composer Franz Liszt, German composer Richard Wagner,
and French composer Claude Debussy. Chopin's many published compositions include 55
mazurkas, 27 etudes, 24 preludes, 19 nocturnes, 13 polonaises, and 3 piano sonatas. Among
his other works are the Concertos in E minor and in F minor, both for piano and
orchestra, the cello sonata, and 17 songs.
Among Chopin's most individual works are the Preludes. Intended to serve as beginnings to
an intimate recital, these pieces range from tender melancholy to the dramatic of the
stormy Prelude in D minor. Many of Chopin's most beautiful compositions come from the
series of short, reflective pieces he called Nocturnes. As can be heard in the Nocturne
in F-sharp, these works are usually gentle and dreamlike with a flowing, rocking bass,
and aptly demonstrate Chopin's preconception for sweet, song-like melodies, very much in
the style of Italian bel canto opera of the period.
The publication of Chopin's early works.
Chopin first achieved fame as a child prodigy in his native Poland, and a few of his
works were published in Warsaw as early as 1817, when he was only eight years old. He
continued to compose throughout his student years, but only a handful of these works were
printed. Polish editions were not widely distributed and are now quite rare. When Chopin
attained prominence in Paris during the early 1830s, he allowed a few of his early works
(the Rondos, opp. 1 and 5) to be reissued by French, German, and English publishers, but
he made no further effort to revive the other music he had composed before 1828. These
works stayed in manuscript until after his death and have been trickling into print from
widely scattered sources ever since. 
Chopin's Dedications
Like other young composers, Chopin dedicated his early Parisian publications to
well-known composer-pianists or well-to-do patrons of the arts who were in a position to
provide recommendations, commissions, or employment opportunities. More generally, by
associating himself with famous musicians and wealthy lovers of music, Chopin enhanced
public estimation of his own music. Publishers recognized the value of these associations
for their sales and prominently displayed the names of dedicatees on title pages. After
Chopin became famous, however, most of his dedications were to personal friends. Many of
these were still members of high society, since that was the circle in which Chopin
moved, but there is little to suggest that he felt the need to court favor. In many
cases, he seems to have been very casual about selecting dedicatees, often making up his
mind or changing it at the last minute. Chopin dedicated a significant number of works to
his students, ranging from aristocratic ladies to professional pianists like Friedericke
Muller. It is curious that Chopin did not dedicate published works to either of the two
known loves of his life, Maria Wodzinska (1819-1896) and George Sand (1804-1876). Chopin
had known the Wodzinski family since childhood and fell in love with Maria in 1835, when
she was sixteen. He proposed, but her family did not approve, probably because of his
chronic ill health. He inscribed a manuscript of the Waltz, op. 69, no. 1 to Maria during
their courtship, but the work was not published during his lifetime. In later years he
did not hesitate to dedicate copies of it to other ladies. Chopin lived with novelist
George Sand for nine years (1838-1847) and their relationship was common knowledge among
members of Paris society, but Chopin may have felt that a public dedication stretched the
bounds of propriety.
Chopin's teaching
Chopin took his piano teaching very seriously. In the early 1840s, he even sketched the
beginnings of a method for playing the instrument, but this project was never completed.
Chopin taught music written by a variety of composers, of whom Johann Sebastian Bach was
particularly prominent. His students cherished the opportunity to study the master's own
works with him. During lessons, he and his students frequently wrote instructions
concerning performance in the students' printed copies of his music. Most of these were
fingerings, with occasional details of dynamics, articulation, and phrasing. The markings
were primarily educational and tailored to the needs of individual students. From time to
time, however, Chopin also altered pitches, redistributed chords, and even completely
rewrote ornamental passagework, changes that are not found in any other early sources.
Controversy continues over whether these annotations reflect Chopin's final revisions of
his music or spur-of-the-moment changes that were never intended to have any permanent
validity. 
Chopin was certainly considered one of the great pianists/composers of our time. He has
contributed much to the music world. He was nominated the Composer of the Year by the
Morrison Foundation for Music Research, Inc. in 1999, the 50th anniversary of his death.

Bibliography:
Chopin, Frederic Francois, Microsoft Encarta Online Encyclopedia 2000
http://encarta.msn.com 
Chopin, Frederick, Chicago University Library, Music Exhibit
http://www.lib.uchicago.edu.com
Chopin, Princeton University
http://www.princeton.edu.com
Chopin, Composer of the Year, 1999
http://www.morrisonfoundation.org
The Morrison Foundation's - Composer of the Year (1849-1999)
Bibliography:
Chopin, Frederic Francois, Microsoft Encarta Online Encyclopedia 2000
http://encarta.msn.com 
Chopin, Frederick, Chicago University Library, Music Exhibit
http://www.lib.uchicago.edu.com
Chopin, Princeton University
http://www.princeton.edu.com
Chopin, Composer of the Year, 1999
http://www.morrisonfoundation.org
The Morrison Foundation's - Composer of the Year (1849-1999)