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FREE ESSAY ON JAZZ

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Jazz in Jack Kerouac's "On the Road"
A look at how jazz was used as a theme in Jack Kerouac's novel, "On the Road." -- 1,112 words; MLA

"Jazz Anecdotes" (2005)
A review of Bill Crow's "Jazz Anecdotes". -- 750 words; MLA

Blues and Jazz and the Evolution of Blacks in American
An examination of how jazz and blues supported the evolution of African Americans into the mainstream American culture. -- 3,250 words; MLA

The Development of Jazz and Blues
This paper discusses the development of jazz and the blues in America. -- 985 words; MLA

Jazz and Drugs
An exploration of drug addiction amongst jazz players. -- 3,750 words;

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JAZZ

As the United States entered the 1920's it was not as unified as one might think. Not one,
but two societies existed. The Black society, whose ancestors had been oppressed
throughout the ages, and the White society, the oppressors of these men and women. After
emancipation the Whites no longer needed the Blacks, but were forced to live with them.
The Blacks despised the Whites, but even so they became more like them in every way. Even
though these two races had grown so similar over the past century and a half, they were
still greatly diversified. One aspect of this great diversity was the difference in music
trends. The White society was still in love with the European classical music. The Blacks
on the other hand had created something all their own. Jazz, Blues, and Ragtime
originated in New Orleans in the 19th century, but by the 1920's it had become famous
throughout America. The Whites tried to suppress the Blacks with new laws, but the power
of this strengthened race was too great. The Negro music of the 20th century had a huge
affect on Black and White relations, and helped to bring the two societies together.
When the slaves first came to the colonies they brought nothing with them, that is,
except their music. They sang their songs while at work in the fields. This original
music is called the old blues. The blues became the symbol of the new American race, and
the home of this music was New Orleans. New Orleans had been a melting pot of culture
ever since emancipation had freed the slaves, but more was being mixed than just culture.
Music from the Blacks was blending with the Whites music, and creating an entirely
different form of music, which had never been seen before. This early form of Jazz began
to be heard in the North and was developed further with the help of technical devices.
Blues music had become more than just a symbol of the slaves, now it was becoming a
symbol of America. The reason for this was because jazz and blues could be played by
anyone from the whitest white to the blackest black. By this time White Americans could
be heard playing the "true" jazz and blues. The true jazz was music played by the black
man, because it was his music. Even white jazz players were beginning to be famous.
Artists such as Paul White man and O.D.J.B. were whites who began to play jazz. Music
played by these people was really the first jazz that northerners were exposed to, and
because of this black northerners began to think of jazz as a white dilution of blues.
Jazz music used the same instruments as ragtime did except for the piano. The piano was
not brought into the picture until later. In 1921 the first Black jazz band broke onto
the national scene. This band contained many of the greats such as Joe Oliver and Louis
Armstrong. They offered a smoother type of jazz compared to the sloppy jazz of the early
White groups. 
Bibliography
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Gioia, Ted. \ul The History of Jazz\plain\f3\fs24 . New York: Oxford University Press US,
1997.}}\plain\f3\fs24 \plain \par \pard\plain\f3\fs24 \par
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http://www.questia.com/PageManagerHTMLMediator.qst?action=openPageViewer&docId=65306057}{\fldrslt
Kubik, Gerhard. \ul Africa and the Blues\plain\f3\fs24 . Jackson, MS: University Press of
Mississippi, 1999.}}\plain\f3\fs24 \plain \par \pard\plain\f3\fs24 \par
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http://www.questia.com/PageManagerHTMLMediator.qst?action=openPageViewer&docId=5879810}{\fldrslt
Panish, Jon. \ul The Color of Jazz : Race and Representation in Postwar American
Culture\plain\f3\fs24 . Jackson, MS: University Press of Mississippi,
1997.}}\plain\f3\fs24 \plain \par \pard\plain\f3\fs24 \par } 

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