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Wolfgang Amadeus Mozart
An overview of the extraordinary life and achievements of the musical genius, Wolfgang Amadeus Mozart. -- 1,400 words;

Mozart
A discussion about the lieder (songs) which Mozart wrote and the influence these compositions had on future composers. -- 1,726 words; MLA

Mozart
Argues that Wolfgang Amadeus Mozart's fame is based largely on the man as a stereotype of a great romantic figure. -- 1,350 words; MLA

Two Mozart Minuets
This paper compares Wolfgang Amadeus Mozart's “Minuet for String” from his “Quintet in D Major” to his “Minuet No. 6” and gives background information. -- 1,145 words; MLA

Wolfgang Amadeus Mozart
Biographical account of the life and works of Wolfgang Amadeus Mozart. -- 1,147 words; MLA

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MOZART

Wolfgang Amadeus Mozart as found on the World Wide Web
Of all the great composers throughout the years, possibly the most famous ever would be
Wolfgang Amadeus Mozart. Few composers ever have led such a remarkable life of left such
a remarkable lasting legacy of music in such a short span of life.
Mozart was born in 1756 in Salzburg, Austria. He was the second survivor of six born to
an accomplished musician named Leopold (The Symphony pg.1). Mozart was a child prodigy
when he began playing the keyboard at just three years old. He began to compose music at
four and wrote his first symphony at eight years of age (Mozart). Mozart spent most of
his life touring Europe and performing in front of aristocrats until he moved to Vienna
in 1782 and wed Constaze Weber (The Symphony pg.2). Although he would only live for nine
more years spending the last two with an ill wife and in poverty some of his greatest
works would come through the symphonies he composed during this time. He had a glorious
childhood career that would eventually as he got older fizzle, as the public would grow
tired of him. From there on he would live in poverty until he died in Vienna. Wolfgang
would write nearly a thousand works in his lifetime, with the significant ones to include
over fifty symphonies, twenty seven piano concertos, and seven of the greatest operas of
all time (Mozart). Some say that he was not an original composer because he never
actually did invent a form or style, and his work leaned heavily on his predecessors. One
can argue though that through his original contributions he changed the forms of the
works entirely (Mozart the Modernist pg.2). He had great emotional depth and his
symphonies would combine perfect formal symmetry and symphonic design with emotional
expressions that would remain unequal until Beethoven and Schubert (Wolfgang). His
melodies were always perfectly shaped and designed would come along and he was on the
forefront of harmonie innovation (The symphony pg.2). Some say that his complexity in his
later symphonies was to blame for his downfall. He began to experiment and write
symphonies for his own liking, to satisfy himself instead of the public and this is what
would make them loose interest in his work and eventually what would cause his later
poverty-stricken years later.
In conclusion: despite, or maybe perhaps because of his originality Mozart's influence
took some time to catch on. Only later in the century would his genius be admired by such
composers as Johames Brahms and Arnold Schoenberg. Without Mozart's innovation and his
ideas of what was possible in particular types of music most music written in the next
fifty years or would have been probably written much differently there can be few
composers of the nineteenth and twentieth centuries that have not felt drawn to some
aspect of Mozart's work (Mozart's Legacy).

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