FREE ESSAY ON NICARAGUA NO PARASAN

NICARAGUA NO PARASAN

Nicaragua: No Pasaran
Major Essay Task
In the documentary Nicaragua: No Pasaran, David Bradbury has presented a biased
impression of reality, and has used many techniques to present this reality to the
viewer. The aim of the documentary is to cause the viewer to feel sympthatetic to the
Sandanista's and become distanced and anti towards the Americans. Both these two parties
are portrayed very differently to achieve Bradbury's desired viewer positionment.
The start of the documentary presents the Nicaraguan society with a community type
spirit, giving off a festival type atmosphere. There is local-type music, and people
present from all walks of life. They all seem to be happy, and the Sandanistan military
is shown very briefly. Suddenly, this mood is juxtaposed with footage from a Nicaraguan
mass funeral, which outlines the extreme differences in the Nicaraguan society. It
becomes apparent that this conflict has political roots, and the viewer questions the
motives of the enemy to the people at the funeral. The crowd is chanting no pasaran which
translated means no entry. Later in the documentary, it becomes apparent that the
Nicaraguan's do not want American control of their county as a puppet. A low camera angle
shot of a soldier is seen in a stance which indicated to the viewer that the Nicaraguan
people would prefer to protest by passive means rather than by aggressive ones, but is
prepared to fight if it is deemed necessary for their survival. Already, in these opening
scenes, Bradbury has positioned the viewer to begin to feel sympathetic toward the
Nicaraguan's. 
The featured leader in the documentary of the Sandanista's and the Nicaraguan government
is that of Thomas Borhes. This is done because Borhes is the one that the viewer can feel
more sympathetic and supportive towards, because of what happened to him in the past.
Plus, if they feel more sympathetic and supportive toward Borhes, then they can feel the
same way (to) about the Nicaraguans as a whole. Borhes shares his duty to govern
Nicaragua with nine other people, and this is seen as very fair and democratic. He si
seen as a man of the community, during shots of him milling with the general populace. A
re-enactment is staged which portrays Borhes in a prison cell, where he was treated
barbarically. But, even so, Borhes states that he felt sorry for his captors, even though
he remembers describing them as beasts. Such a statement creates more support from the
viewer. Why? Explain. Also the detail selected only shows the undesirable things that
have happened to Borhes (which collect sympathy and support), but not the undesirable
things Borhes has dished out to other people (which would easily disperse the support).
Such careful selection of detail helps create Bradbury's impression of reality.
Furthermore, Borhes is put across as a martyr, How is this done! for detail presented to
the viewer makes out that he sacrificed himself for the good of the cause, in this case,
for the good of the revolution to overthrow Somoza. Some of Borhes' characteristic traits
which can then be gathered show an honesty and loyalty toward Nicaragua and its people.
The same stance used on Borhes is also (true) used for the Sandanistan military. They
(are very) constructed as being humanistic. Shots of these are seen as the first
presented montage; they eat food, they listen to music, and they almost seem to be having
leisurely fun. One quick shot of a soldier playing his rifle as a guitar creates the
feeling that the rifle would only be used of needed in defence. Guitars are harmless;
playing a rifle as a guitar tends to support the Sandanistan and Nicaraguan belief of
passive protest in defence of their country. Also a shot of the soldiers sharing the
scene at a river with a woman who is washing her hair reinforces how the Sandanistan
forces are friendly, non-threatening, unintrusive, and not aggressive. This reflects upon
the whole of Nicaragua in the same way, and the viewer is further positioned in an
impressionistic reality. While the Sandanistan forces are seen in this passive way, their
enemies are not.
The National Guard is (then) portrayed, with great use of Juxtapositionment. They are not
(seen) as humanistic at all, rather more mechanical and automated, melded together as
one. The troops faces are camouflaged. They all look the same. They are shown in columns,
and look to be very professional(. They look) and dangerous. Because of this presented
detail, the viewer distances themselves from the danger - the National Guard. It's a
normal human reaction, something is dangerous, you move away from it. Bradbury has used
this fact to his advantage, and used this selection of detail very carefully in viewer
positionment of sympathy Wording is a bit clumsy. and support of the Nicaraguan state of
affairs. Also, in the detail the National Guard is seen to have strong links to the
United States, reinforced by an extreme close-up of what is presumed to be a National
Guard belt with US stamped on it. In doing this, Bradbury has embedded the idea of being
unsupportive of not only the National Guard, but the United States as well, in the
viewer.
The Contras are also brought across to be the same way as the National Guard. Along with
the National Guard, the Contras appear controlled by the United States. They receive
supplies from them, and these are shown liberally, such as the heavy weaponry. Contrast
this with the light armaments shown to be used by the Sandanistas, and this seems an
unfair match. This reflects upon the United States as an aggressive and unfair empire.
The documentary shows a demolished bridge, and the Contras are put to the blame. The
bridge was an important transfer link for Nicaraguan villagers. An interview follows of
some peasants, a husband, his wife and their baby. To the viewer they seem innocent and
defenceless. They live in poverty and it is revealed that all they did was support the
Sandanistan ideology. This sets up the Contras further as selfish, uncaring and ignorant.
Because the United States supports the Contras, this connects the brutal persecutions of
the innocent by the long hand of United States influence. But why is the United States so
interested in crushing the Sandanistan threat? 
The reason is established in a press conference footage reel of president Reagan stating
that the United States is only interested in the Nicaraguan state of affairs because it
is so close to a major United States trading route, the Panama Canal. Immediately, the
viewer is thinking just how ignorant and selfish the United States appears to be. For
this reason, Reagan can be represented as the president of capitalism. He does not
consider Nicaragua as an actual country. During the Reagan speech, Bradbury presents a
map of the whole of North and South America, from Cape York to northern Canada. It zooms
in to show Nicaragua, emphasising how small and surrounded it is. Truly, the United
States only occupies a much smaller amount of land, but has been exaggerated in this way
to give the impression that Nicaragua is being crushed, which causes sympathy from the
viewer.
Before the final montage, Bradbury shows footage of Reagan making a statement in congress
that Bradbury, through a selection of detail, (has just) is able to prov(ed) otherwise!
The impression of reality has been consolidated, and the viewer sees the United States as
extremely deceitful, aggressive and untrustworthy.
The final montage opening scene is that of a church with the sounds of victorious
singing, symbolising the momentary victory of Nicaragua. But a plane quickly looms in
from the background, and the sounds of the church choir is crossfaded and replaced with a
very mechanical sound, which symbolises the mechanist United States. Lyrics, here come
the planes, they're American planes, made in America, sets up the fact that the plane in
the shot is American. The United States, after all, have succeeded in control of
Nicaragua. The Honduras military buildup is shown, and only of machinery. This mechanical
montage ? includes stills of innocent Nicaraguan people, especially those of older people
and children. It created the impression to the viewer that the target of the United
States is the innocent Nicaraguan people.
Through Nicaragua: No Pasaran David Bradbury has succeeded in creating a biased
impression of reality, using codes and conventions similar to those in many print texts.
He has positioned the viewer to feel supportive of the friendly Nicaraguans, and to
become distanced from the deadly influence of the American capitalist society.