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Steinbeck and the Era of the Dust Bowl
A paper which shows how John Steinbeck's "The Grapes of Wrath" and the article "Steinbeck, Guthrie and Popular Culture" by Elaine S. Apthorp, depict California's Dust Bowl era. -- 2,135 words; APA

John Steinbeck's Use of Morality
This paper looks at the works of 20th century American author John Steinbeck, and examines how his novels' themes teach societal morality. -- 1,935 words;

Steinbeck and Shelley
Compares Victor Frankenstein's treatment of the Daemon in Mary Shelley's novel Frankenstein to George's treatment of Lennie in John Steinbeck's novel "Of Mice and Men". -- 650 words;

John Steinbeck and Communism
An examination of John Steinbeck's American novel "The Grapes of Wrath" and its shared concepts with the Communist Soviet Union. -- 850 words;

Cultural and Social Influences on John Steinbeck
A look at the life of John Steinbeck and how his work was influenced by his surroundings. -- 1,300 words; MLA

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STEINBECK

John Steinbeck 
A Common Man's Man 
"I never wrote two books alike", once said John Steinbeck (Shaw, 10). That may be true,
but I think that he wrote many of his novels and short stories based on many of the same
views. He often focused on social problems, like the "haves" verses the "have nots, and
made the reader want to encourage the underdog. Steinbeck's back ground and concern for
the common man made him one of the best writers for human rights. 
John Steinbeck was born in Salians, California and spent most of his life there or around
Salians, because of that he often modeled his stories and the characters around the land
he loved and the experiences he encountered. He lived in Salians until 1919, when he left
for Stanford University, he only enrolled in the courses that pleased him - literature,
creative writing and majoring in Marine Biology. He left in 1925, without a degree. Even
though he didn't graduate his books showed the results of his five years spent there. His
books display a considerable reading of the Greek and Roman historians, and the medieval
and Renaissance fabalists and the biological sciences (Shaw 11). He then moved to New
York and tried his hand as a construction worker and as a reporter for the American.
(Covici , xxxv). Steinbeck then moved back to California and lived with his wife at
Pacific Grove. In 1934, he wrote for the San Franciso News, he was assigned to write
several articles about the 3,000 migrants flooded in at Kings County. The plight of the
migrant workers motivated him to help and document their struggle. The money he earned
from the newspaper allowed him to travel to their home and see why their reason for
leaving and traveled to California with them, sharing in with their hardships (Steinbeck,
127). Because John Steinbeck was able to travel with the Okies, he was able to accurately
portray them and their struggles. Each book that he wrote had settings in the places
where he has either lived or wanted to live. He presented the land as it was. The
characters in his stories experienced floods, drought, and other natural disasters, while
in the Salians Valley (Shaw, 5). What Steinbeck wrote was very factual and in depth. He
exhibited his awareness of man and his surroundings, in his early books, before people
ate, a pig had to be slaughtered, and often that and before they ate, it had to be
cooked. Also when a car broke down, the characters had to find parts, and fixed it
themselves (Shaw, 13). 
Many people consider that John Steinbeck novels are records of social history. His books
are the history of plain people and society as a whole, many of his books focused on the
Great Depression, Social Prejudice, religion, and the automobile (Rundell, 4). He may be
considered as a Sentimentalist, because of his concerns for the common man, human values,
for warmth and love and understanding. The social relevance of his writings reveals him
as a reformer (Covici, xxii). In his novel The Pastures of Heaven, Steinbeck brings up
the issues of Japanese Americans fitting into social groups, and in East of Eden, he
examines the problems of intelligent and educated Chinese-Americans in the California
setting. John Steinbeck only once seriously considers the problems of Negroes in Society.
Crooks, the stable boy in Of Mice and Men, was an outcast and never destine to fit into
the generally white society of ranching. 
Not only did Steinbeck recognize the -problems of minorities and racial prejudice, he
also mentioned class prejudice. The difference between the "haves" verses the 'have nots"
was brought up in the novel, The Grapes of Wrath, usually the people who had any
financial stability hated the Okies, who had none. Owners hated the Okies because they
were soft and the Okies were strong, also the store keepers hated them because the Okies
had no money to spend in their stores (Bowden, 12). 
The Grapes of Wrath presents these issues in the form of an epic and sums up the despair
of the early 1930's. The Joads experience: love, brotherhood, integrity, class fear,
power, violence, and suspension, the same as every other migrant. Their conflict was a
national epic, instead of a personal one. The parable of the tortoise crossing the road
represents the people of the 1930's, he is beaten by the sun, knocked around, and
struggles, but probably reaches his destination. In his other stories, he also uses
characters and symbols to represent the migrants of the 1930's, and often makes his
symbolism obvious. The story of the gophers in Cannery Row represents that you can't have
your cake and eat it too.
In conclusion, John Steinbeck with his concern for man and his environment, and his broad
background has made him a respected author, and human rights activist. His books are as
relevant to us today as they were sixty years ago, and are also important as
documentation of social history. 
Bibliography 
Benet's Readers, Encyclopedia of American Literature. 1991 ed. 
Bowden, Edwin T. The Dungeon of the Heart. New York, NY: The Mcmillan Company, 
1961. 
Covici, Pacal Jr. The Portable Steinbeck. New York, NY: The Viking Press, 1963. 
McWillams, Carey, California Pastoral", Antioch Review, March, 1942: 103-21. 
Rundell, Walter Jr. Steinbeck's Image of the West, 4-17 
Shaw, Peter. Steinbeck: The Shape of a Career", Saturday Review, 8 February, 
1969: 10-14. 
Steinbeck, John. "A Primer on the Thirties. Esquire October 1973: 127-131, 364, 366. 
Walcutt Charles C. "Later Trends in Form: Steinbeck, Hemingway, Dos Passos", American 
Literary Naturalism: A Divided Stream. University of Minnesota, 1956: 258- 59. 268-69. 


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