FREE ESSAY ON THE MARINE CORP MEMORIAL

THE MARINE CORP MEMORIAL

The Marine Corp Memorial
East Carolina University
The Marine Corp Memorial 
On February 19, 1945 five Marines and one Sailor participated in an event that would
forever change the course of events for the Marine Corps. Undoubtedly one of the most
powerful images of the 20th century is the flag raising atop Mount Suribachi on Iwo Jima.
The flag raising captured the courage, commitment and honor that these Marines held as
they reached the top. These individuals were only doing what they were instructed to do,
but it was the Pulitzer Prize winning photograph that was taken by Joe Rosenthal that
turned this war time event into a world wide historical event. Behind the eagle, globe
and anchor, the flag raising has taken the form of a second emblem for the Marine Corps.
Felix de Weldon was at the time of the flag raising in the United States Navy. Felix was
already a world-renounced sculptor. At the age of seventeen he won a sculptor contest in
his native Austria. He studied in France, Italy and Spain and eventually studied
archeology at Oxford. Upon arriving in the United States he fell in love with this
country and its culture. He joined the U.S. Navy as a Seabee. Felix de Weldon has been
referred to as the artist to the presidents and kings. Felix was so moved by the
photograph that he constructed a scale model and then later a life size model of it.
Gagnon, Hayes, and Bradley, the three survivors of the flag raising posed for the
sculptor. The original statue which was cast in plaster went on display in front of the
Old Navy Building in Washington D.C. from 1945-1946. It was used to promote war bonds
around the country. In 1946 General Vandegrift was so moved by the statue that he had
Felix de Weldon transferred from the Navy to the Marine Corps and commissioned him to
produce the memorial we see today. 
The memorial like any other in Washington was met with controversy. The primary dispute
came from the National Sculpture Society. This society had done all of the big memorials
in Washington and did not what to be left out on this one. The Government's Commission of
Fine Arts also joined in the attempt to stop the memorial. The commission appointed by
the president, was a body of aesthetic consultants that had jurisdiction over art placed
on federal property in the capital. The battle was not between the Marines and the post
war modernist but a struggle among the advocates of traditional representational art. The
commission wanted the Marine Corp league to drop de Weldon and go with an artist through
open competition. The Marines knew de Weldon's version of the statue and that was the
statue they wanted. Ten professors from American University collectively dismissed de
Weldon's sculpture as mediocrity and called it "ordinary," "ineffective," and
"unsculpturesque." Donald De Lu president of the National Sculpture Society stated that:
"Instead of immortalizing the brave Marines who have given their lives for their country,
the proposed design, if permitted to be carried out would be only a source of bitter
resentment, violent criticism, and ridicule." 
William Wheeler, later to become the President of the Sculpture Society, submitted as
letter to Secretary of State Forrestal claiming numerous wrong doings by de Weldon. These
charges ranged from shady business practices, expired visa, misrepresenting art, and
shipping busts that were still wet and the suing for damages when they arrived damaged.
In late 1947 the monument received another setback. The Commission of Fine Art, which has
the aesthetic approval of all monuments placed in the Washington area, rejected the
memorial because of its size and the location that was selected. Later that same year the
Marine Corps War Memorial Foundation was formed with General Denig as president and Harry
Dash as head of finance. It was later discovered that Harry Dash was embezzling funds
amounting to over $100,000 of the contributions. This setback almost put an end to the
memorial but though the tenacity of a Marine General almost all of the funds were
recovered and construction on the memorial resumed. On the 176th birthday of the Marine
Corps November 10th, 1954 the memorial was unveiled and for those who witnessed the
unveiling this was a new kind of monument, which was stuck in accuracy and realism. On
the base of the Memorial is inscribed all the battles that were fought in which Marines
gave their lives. Another inscription read Uncommon Valor was a Common Virtue also
inscribed was the names of the six individuals who the memorial depicts. Three of the six
would never know that they were immortalized for all time; they died before the end of
the war. A forth died shortly after the dedication. A simple act of pride transformed
these individuals into national heroes, immortalized for all time in bronze. 
As in any sculpture, painting, or work of art, line is important, lines determine the
beginning and the end, and it allows various objects to be separated. The lines in this
sculpture are used with such realism that it is easy to see the individual pieces of the
sculpture but to remove any of the pieces would remove the true meaning of the sculpture.
Felix de Weldon reproduced a true, beyond realistic copy of the original photo thereby
allowing the viewer to asses there own feelings or ideas as what went on the morning of
February 19, 1945. There are many hundreds of drawings, statues and copies of the
original photograph and you will find that many of them have small but insignificant
differences. It is not the difficulty of the process of reproduction that causes the
differences. The differences lie in the reproduction of the idea on which the photo
represents.
The memorial is immense in size; each figure alone is 33 feet high and is sculptured in
true 3 dimensional form. With its size and its unbelievable detail, this renders the
memorial as a true inspirational event. The mere size alone leads to the magnanimous
importance of this historical event.
The memorial is located outdoors on the eastern edge of the Arlington National Cemetery
in an open field of about 4 acres. To be truly inspired by this memorial it should be
viewed at night. The lighting was designed with such precession that mere words cannot
express the magnitude of the event.
The memorial is a frozen moment in time, a time when the world was at war in almost every
corner. The photograph by Joe Rosenthal immortalized this event so that all posterity
could see and hopefully feel the same as he did on that day. The only part of the
monument that is not frozen in bronze is the American Flag. The real flag adds to the
surrealism of the moment.
If you were to remove the outer skin of the memorial all you would find is a functional
frame made up of latter's, cranes, trusses and winches, wires and cables. The memorial
was a triumph of organization as much as a work of art. Through the use of projective
images de Weldon was able to turn a photo into a masterful work of art. The only change
that was made from the original photo was one of the Marines at the base of the flag was
rotated inward to add a more aesthetic appearance. 
The interview was with a Marine housewife who has several members of her family that were
or are in the military. She perceived the memorial as a symbol of unity for our nation.
To her the memorial is pride in our nation and our way of life. The memorial symbolized a
victorious nation. She also commented on the fact that the memorial was designed in such
a way as to bring out different emotions from each individual who views it. The memorial
not only symbolizes a wartime nation but a peacetime nation as well with the outreaching
hands striving for unity and teamwork in a nation that was once on the brink of disaster.

Felix de Weldon is presently working on The Colossus of Rhodes a monument measuring 378
feet tall, a full 12 feet higher than the Statue Of Liberty in New York. This will be the
largest bronze in the entire world. 
The Marine Corps War memorial was born from a hard fought struggle to preserve the
identity and the integrity of the United States Marine Corps. In the public eye the image
identified the Marines with an epic moment in history. A monument would make that moment
eternal. It would remind Americans that the Marines remain inseparable from Americanism.

Notes
Bibliography
Marling, Karl Ann, & Wetenhal, John (1991). Iwo Jima Monuments, Memories, and the
American Hero., 68.
The Benedetti Gallery OnLine (Unknown). FELIX D. Weldon. Retrieved February 3, 2001 from
the World Wide Web:, 1.
The Benedetti Gallery Online 1.
Unknown (Janurary 15, 2000). U.S.M.C. War Memorial. Retrieved February 10, 2001 from the
World Wide Web: http://www.nps.gov/gwmp/usmc.htm
Castro, Jeffrey Sgt. (Janurary 25, 2000). IWO Jima Statue Survives. Retrieved February
10, 2001 from the World Wide Web:
http://www.vnis.com/vetnews/marines_corps_news/marine_corps_news2000/marines2000-010.txt
Marling, Karl Ann, & Wetenhal, John (1991). Iwo Jima Monuments, Memories, and the
American Hero., 146.
Marling, Karl Ann, & Wetenhal, John., 153.
Marling, Karl Ann, & Wetenhal, John., 154.
Marling, Karl Ann, & Wetenhal, John., 154.
Marling, Karl Ann, & Wetenhal, John., 156.
Premier Image, World Wide Web: http://www.iwojima.com/raising/raisingc.com
Marine housewife interview by author, 11 March 2001,
Jahrtausendkunst (Unknown). FELIX D. Weldon's Tribute to the Millennium. Retrieved
February 3, 2001 from the World Wide Web: http://www.jahrtausendkunst.com/dwbio.html
References
Marling, Karl Ann, & Wetenhal, John (1991). Iwo Jima Monuments, Memories, and the
American Hero. Cambridge, Massachusetts: Harvard University Press.
Sayre, Henry M. (2000). Sculpture. In Owen, Charlyce Jones (Ed.), A Word of Art (3rd ed.,
pp. 259-278). Upper Saddle River, New Jersey: Prentice-Hall Inc..
Unknown (Janurary 15, 2000). U.S.M.C. War Memorial. Retrieved February 10, 2001 from the
World Wide Web: http://www.nps.gov/gwmp/usmc.htm
Jahrtausendkunst (Unknown). FELIX D. Weldon's Tribute to the Millennium. Retrieved
February 3, 2001 from the World Wide Web: http://www.jahrtausendkunst.com/dwbio.html
The Benedetti Gallery OnLine (Unknown). FELIX D. Weldon. Retrieved February 3, 2001 from
the World Wide Web: http://www.benedetti.com/gallerylDeweldon/html/felixprofile.html
Premier Image (2000). THE Flag Raisers. Retrieved February 3, 2001 from the World Wide
Web: http://www.iwojima.com/rasing/rasing.html
Castro, Jeffrey Sgt. (Janurary 25, 2000). IWO Jima Statue Survives. Retrieved February
10, 2001 from the World Wide Web:
http://www.vnis.com/vetnews/marines_corps_news/marine_corps_news2000/marines2000-010.txt
O'Beirne, Kate (June 28, 1999). MEMORIAL Daze. Retrieved Janurary 27, 2001 from the World
Wide Web: http://www.iwofriends.com/press/memdaze.htm
Marine housewife interview by author, 1