FREE ESSAY ON WITTGENSTEIN AND ASTHETICS (WITTGENSTEIN'S LADDER)

WITTGENSTEIN AND ASTHETICS (WITTGENSTEIN'S LADDER)

I disagree with Ludwig Wittgenstein when he states that aesthetics "draws one's attention
to certain features, to place things side by side so as to exhibit these features"
because of the logic that gives birth to the thoughts that led to this statement. This
logic questions the ability of a person to ascertain what "beauty" is, what contains the
quality known as "beauty", and the levels of beauty and how they can be measured and
compared.
Wittgenstein uses the metaphor of games to illustrate his points regarding aesthetics and
beauty. He reasons that the idea of a common feature or "ingredient" being common to all
games is to simple and primitive an idea to accept. He states "It is comparable to the
idea that properties are ingredients of the things which have the properties: e.g. that
beauty is an ingredient of all beautiful things as alcohol is of beer and wine, and that
we could therefore have pure beauty, unadulterated by anything that is beautiful." (BB
17) 
Marjorie Perloff further explains Wittgenstein's idea by stating what he meant was that
"… one cannot say X is beautiful unless one has a notion of what "beauty" is in the
abstract." She shows that Wittgenstein believes that you must be able to define a quality
on its own, in regards to itself only, before you can apply that quality to any other
thing. 
Wittgenstein goes on to explain by using the Greek ideal as a model. He says that what
made this ideal was the role it played in the lives of the Greek People. This suggests
that since this ideal, this standard if you will, was taught so fervently that it became
the 
norm, and thus the ideal. Since the great scholar of the time (Aristotle) wrote with this
form, and the great sculptors and artists were locked into this ideal, it was accepted as
the prime example of form, and was thus accepted. To Wittgenstein, it was not the idea of
"quality", or "ideal form" that motivated the trends of people, but the models upon which
these qualities were imposed. Quality itself might as well not exist, if aesthetics were
not there to "draw one's attention" to certain things.
There are certain points which could make one wonder about the validity of Wittgenstein's
ideas, however. Wittgenstein seems to think that quality does not exist by itself, that
man imposes the idea of quality upon things that are deemed acceptable by the masses.
Would this argument still make sense if you could define quality on its own terms, in and
of itself? Even Wittgenstein seems to think not, otherwise he would not have pointed out
the very fact that this autonomous quantification was impossible. But it seems that just
to prove the existence of quality, however undefined, would raise a strong doubt about
his theory. 
Quality is viewed as different things from different perspectives, it is true. As I see
something I deem to be beautiful, another could very well see vulgarity. As I view
goodness, another can perceive ugliness. But the fact is that as a whole, a large group
of people can always come to a decisive decision over the differences between beauty and
ugliness. There is always a majority who will decisively choose the beautiful thing. It
is true that as the differences between the subjects gradually becomes harder and harder
to 
see, the majority will begin to shrink, and the thoughts will grow closer, but that is
because the amount of quality in each thing comes closer together. As Robert Pirsig said,
the proof for the existence of quality lies simply in this thought: remove the idea of
quality from anything, and that thing will become one thing. If all aesthetic quality
were removed from all of the shoes in the world, for instance, soon every person would be
wearing the same pair of shoes. It would be the longest-lasting, least expensive shoe,
because there is no longer an issue of "style", or "color", or "brand name" to influence
the choice. The deciding factor of aesthetic quality is gone. If you remove a thing from
a situation, and it changes the situation by its absence, then it can be reasonably
stated that that thing does exist. In any other case, the situation would have remained
the same, would it not?
This might argue to Wittgenstein that there is, indeed, a common factor between "roast
beef, Greek art, and German music". What do fine food, beautiful art, and soulful music
have in common? The thing that makes them good, of course. Quality.