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"The Woman Warrior"
A review of the book "The Woman Warrior" written by Maxine Hong Kingston. -- 906 words; MLA

Maxine Hong Kingston's "The Woman Warrior"
Discussion and analysis of Kingston's book, "The Woman Warrior: Memoirs of a Girlhood Among Ghosts". -- 1,336 words; MLA

"The Things They Carried" and "The Woman Warrior"
A comparative analysis of "The Things They Carried" by Tim O'Brien and "The Woman Warrior" by Maxine Hong Kingston. -- 1,125 words; APA

Silence in "The Woman Warrior"
This paper offers an analysis of the implication of silence in Maxine Hong Kingston's "The Woman Warrior". -- 1,130 words; MLA

Ghosts in "The Woman's Warrior"
An examination of the concept of ghosts in Maxine Hong Kingston's novel "The Woman's Warrior". -- 1,435 words; MLA

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WOMAN WARRIOR

Woman Warrior
Food strengthens us, without it we are weak. Eating has always been an important factor
with families living in poor conditions. Often, those who could not help to produce more
food are considered inferior or unworthy to eat. Maxine Hong Kingston's The Woman Warrior
is no exception, due to the relation it creates between eating and the strength of
people. This is shown through the tale of Fa-Mu-Lan, the story of the eaters, and the
references to the fellow relatives left in China.
In the tale of Fa-Mu-Lan, the narrator is given a survival test, where she has to survive
a mountain trek without provisions. During that trek, the narrator finds herself weary
from hunger. Hunger brings out her animal instincts, because she needs to stay strong to
live. "On the fourth and fifth days, my eyesight sharp with hunger, I saw deer and used
their trails when our ways coincided. Where deer nibbled, I gathered the fungus, the
fungus of immortality" (25). The narrator is forced to search for her food to eat. The
hungrier she becomes, the more feral she is. Meat also played a role in the connection
between food and strength. During the beginning of her story she claimed she no longer
needed meat. After she became starving, she breaks down and eats meat. "...I saw the
rabbit had sacrificed itself for me. It had made me a gift of meat" (26). Her will was
eroded by the hunger because as her hunger increased, she became weaker and her resolve
was easier to destroy. When the narrator was not starving she was in control of her
faculties. Hunger however, strips her even of vision, as she imagines things that do not
exist. The narrator says, "Hunger also changes the world when eating can't be habit, then
neither can seeing. I saw two people made of gold dancing the earth's axis" (27). Viewing
two gold dancers would be wonderful to witness, however the chances are very slim. The
hunger had weakened her to the point of confusion, and possibly dilution. Just as hunger
weakens a person so they cannot command themselves, eating will make a person powerful
and the masters of others.
The stories of the heroes who ate heaping amounts of food illustrate that those who can
eat have extraordinary powers. The narrator says before, that her mother is
powerful"...because she can eat anything - quick, pluck out the carp's eyes, one for
Mother and one for Father. All heroes are bold towards food" (88). Her mother is master
of the ghost because she can consume it. The story of Kao Chung also illustrates this
point. This hero eats five chickens and drinks ten bottles of wine prior to slaying a
sea-monster. The scholar-hunter Wei Pang was also a great eater; in fact, he was the most
fantastic according to the narrator. He shoots a glowing sphere composed of flesh with
eyes in it, and then eats it with his servant. Bye eating, these two heroes are able to
conquer their foes. The story of Chen Luan-feng is another is another example of how
eating makes a person powerful. By eating forbidden foods, Chen calls down an angry
thunder god whose leg is chopped off by Chen, and the thunder god is then at the mercy of
Chen. "Big eaters win" (90) is the comment regarding an anonymous scholar from Hanchow.
This scholar discovers some valuables on the side of the road; however, an evil frog
guards them. He chases that frog off only to have two smaller frogs com that night. He
proceeds to eat every frog that visits him, "And at the end of the month the frogs
stopped coming, leaving the scholar with the white silk and silver ingots" (90). These
heroes are rewarded for their eating habits, but those who cannot eat are weak. 
The relatives of the narrator are always asking for money. They are weak characters
because they are forced to rely on others to live. Unlike the heroes who command
themselves and others, these relatives are not even in command of their own life, rather
they have given up their life to the Communists. Because the Communists are cheating them
out of food, they are starving and weak. The narrator says, "What I will inherit someday
is a green address book full of names. I'll send the relatives money, and they'll write
me stories of their hunger" (206). The narrator describes the relatives very
unflattering. They are considered lazy and unable to help themselves. The relatives seek
money, even if it means harming the narrator's family. "He says a bicycle will change his
life. He could feed his wife and children if he had a bicycle. 'We'd go hungry
ourselves,' my mother says. 'They don't understand that we have ourselves to feed too'"
(206). The narrator realizes it is her turn to help out these ungrateful relatives next.
Brave Orchid was very bitter about the differences between Chinese culture and American
culture. One of those differences included the connection between wealth and food. In
America the popular belief was changing and many skinny people were regarded as healthier
than overweight citizens. Brave Orchid kept old traditions with her. Brave Orchid talks
to her daughter: "That's the year you turned old. Look at you, hair gone gray, and you
haven't even fattened up yet. I know how the Chinese talk about us. 'They're so poor,'
they say, 'they can't afford to fatten up any of their daughters.' 'Years in America,'
they say, ' and they don't eat.' Oh the shame of it - a whole family of skinny children.
And your father - he's so skinny he's disappearing" (101). Brave Orchid's opinions may
not have had an impact on the narrator as she replies, "Don't worry about him, Mama.
Doctors are saying that skinny people live longer" (102). Brave Orchid's comments and the
narrator's reply shows that she wasn't strongly influenced by Brave Orchid, yet Kingston
continues to reference the topic throughout the book. In the chapter At the Western
Place, Brave Orchid meets her sister Moon Orchid at the airport. 
"'...you're so skinny.' 
'You're so fat.'
'Fat women are more beautiful than skinny women'" (118). 
Brave Orchid's bitterness toward American culture influenced the narrator. Fat carried
not only excess lipids, it carried wealth and power in Brave Orchid's opinion. Women were
more beautiful with fat because wealth enabled them to achieve their "beauty". The
incessant use of references between strength and eating throughout the book show the
narrator was influenced is some manner. The product of the influence may not have been a
fat woman, but a woman educated in two cultures.
Eating is vitally important in the memoir The Woman Warrior. It is regarded as a sign of
strength in the book. That point is shown through Fa-Mu-Lan, the story of heroes, and
through relatives in China. With those, Kingston became educated in two differing
cultures, possibly influenced by both. The connection between hunger and strength is well
known throughout the ages, as the old military adage states, "An Army marches on its
stomach."

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